Edith Maxwell Visits and talks about A Tine to Live, A Tine to Die
Marilyn, thanks
so much for inviting me over today!
I wanted to share
my new project with your readers. I wrote a short story called “Breaking the
Silence” last year. It came out in Best New England Crime Fiction 2014:
Stone Cold from Level Best
Books in November, and also won an
Honorable Mention in the Al Blanchard Short Crime Fiction contest.
In the story, I
imagined a young Quaker woman in 1888 in my small city of Amesbury,
Massachusetts. She walks to Friends Meeting on Sundays, where she worships with
John Greenleaf Whittier and a hundred other Quakers, and during the week she
works as a mill girl. A real fire burned down much of the town’s carriage
industry, and in my story Faith Bailey solves the mystery of who the arsonist
is. I am also a Quaker and I walk to the same Friends meeting as Faith did.
Faith and her family live in my house,
built in 1880. The mill buildings she worked in are a block away, but now house
a hardware store, a Flatbreads pizza restaurant, and offices.
When I finished
the story, the characters didn’t want to go away. I imagined more of Faith’s
family. Her friends. Other mysteries in town. Now I’m proposing a series.
Faith’s aunt will be the protagonist, because she’s a bit older and can be
edgier than the sweet but resourceful
girl that Faith is. Here’s the first paragraph of the proposal.
The historical
Carriagetown Mysteries feature Quaker midwife Rose Carroll in Amesbury,
Massachusetts. Her elder and mentor in the late 1880s is the actual Quaker poet
and abolitionist John Greenleaf Whittier, who lived in Amesbury and attended
Amesbury Friends Meeting until his death in 1892. Rose resides with her late
sister’s husband Frederick Bailey, his daughter Faith, and four younger
siblings in a house built for the mill workers in 1880. Rose is in her
mid-twenties and is unmarried, although over the course of the series she
becomes fond of a young doctor who works at the newly built Anna Jaques
hospital in the nearby city of Newburyport. She attends births of the rich and
poor alike, being called to attend the wife of the richest carriage maker in
town as well as the impoverished French-Canadian mill workers who live on the
Flats by the Powwow River. This gives her the opportunity to listen in on the
business of the town from behind the scenes as well as to the stories women
tell during the travail of giving birth.
I write two other
mystery series that are contemporary: the Local Foods mysteries and the
Speaking of Mystery series. But I’m a full-time fiction writer now and am
looking forward to starting this new effort. I’ll be starting to write the
manuscript of the novel also called Breaking the Silence next week. And
I can’t wait!
Readers: do you
like to read historical mysteries? What are some of your favorites? Or do you
prefer your stories set in the issues and environment of today?
Edith Maxwell's A
Tine to Live, a Tine to Die in the Local Foods Mystery series (Kensington
Publishing, 2013) lets her relive her days as an organic farmer in
Massachusetts, although murder in the greenhouse is new. A fourth-generation
Californian, she has also published short stories of murderous revenge, most
recently in Best New England Crime
Stories 2014: Stone Cold (Level Best Books, 2013) and Fish Nets (Wildside, 2013). The Stone
Cold story, “Breaking the Silence,” won an Honorable Mention in the Al
Blanchard Short Crime Fiction contest.
Edith Maxwell's alter-ego Tace Baker authored Speaking of Murder, which features
Quaker linguistics professor Lauren Rousseau and campus intrigue after her sexy
star student is killed (Barking Rain Press, 2012). Edith is a long-time Quaker
and holds a long-unused doctorate in linguistics.
A mother and former technical writer, Edith is a
fourth-generation Californian but lives north of Boston in an antique house
with her beau and three cats. She blogs every weekday with the rest of the
Wicked Cozy Authors (wickedcozyauthors.com). You can also find her at
@edithmaxwell, on Facebook (www.facebook.com/EdithMaxwellAuthor), and at
www.edithmaxwell.com.
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