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THE HOOK by Kathleen Delaney

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Cozy mysteries have been around since Agatha Christie started turning them out during the early nineteen hundreds. They’ve changed since then but still retain the same central core. Not too much blood, sex remains firmly behind closed doors, and the thrust of the story is who committed murder and why. Agatha Christie’s Miss Marple knew everyone in her village, knew their parents and their children. She was a keen observer of human nature and a great listener. She also expected the worst of everyone and was rarely disappointed. The combination of village life and Miss Marple’s assessment of the people in it while she knitted garment after garment was The Hook. I don’t think Agatha used that term, but it was what made us come back, story after story. Cozies are still grounded in one place, usually in a small town, and always with a small cast of characters who know each other well. Sometimes too well. Publishers want their heroine-it is almost always a heroine- to be an in...

The Hook

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Christopher Allan Poe and Bonnie Hearn Hill At a recent San Joaquin Sisters in Crime meeting, Christopher Allan Poe and Bonnie Hearn Hill gave a wonderful presentation on Hooks. Some of the tips they came up with were things I hadn't even thought of as hooks, for instance: The first two hooks are the title and the book cover. Next comes the first line. Start the reader off with a question that pulls them into the story. I still think my best first line came from Murder in the Worst Degree: Except for the dead body washed up on the sand, conditions were perfect for surfing. Next come the first couple of paragraphs. Again, asking questions the reader wants to keep reading to find the answers. Right away, will the reader know the time frame. Voice of the protagonist. Writer's style sensed right away. First chapter must hook the reader into continuing on. The popularity of genres seem to cycle. Bridging Conflict means taking ...