Saturday, June 4, 2016

A Tale of Two Palaces by Amanda Carmack


One of the best perks of writing historical mysteries is the research!  I am a library junkie, and love spending time digging through dusty old books in search of just the right historical detail.  (Of course, this also means sometimes it's hard for me to stop researching and actually, y'know, use the research in writing!).  
Travel is also a fun way to immerse myself in a period, to imagine how my characters might have actually lived in Elizabethan times.  Murder at Fontainebleau uses a sense of place even more than other stories I've written.  We glimpse two palaces in the story, one the is long demolished and one that still exists to be toured, and they were a perfect example of the differences between English and French life in the 16th century, which Kate Haywood discovers for herself when she's sent to Fontainebleau on a mission for Queen Elizabeth....

The English palace, Greenwich, was originally built in 1433 by Humphrey, Duke of Gloucester, a brother of Henry V. It was a convenient spot for a castle, 5 miles from London and Thames-side, and was popular with subsequent rulers, especially Henry VIII. His father, Henry VII, remodeled the place extensively between 1498-1504 (after dispatching the previous occupant, Dowager Queen Elizabeth, to a convent). The new design was after the trendy “Burgundian” model, with the facade refaced in red Burgundian brick. Though the royal apartments were still in the “donjon” style (i.e. stacked rooms atop rooms), there were no moats or fortifications. It was built around 3 courtyards, with the royal apartments overlooking the river and many fabulous gardens and mazes, fountains and lawns.
At the east side of the palace lay the chapel; to the west the privy kitchen. Next door was the church of he Observant Friars of St. Francis, built in 1482 and connected to the palace by a gallery. This was the favorite church of Katherine of Aragon, who wanted one day to be buried there (of course, that didn’t turn out quite as she planned…)
Though there are paintings and drawings of the exterior, not much is known of the interior decorations. The Great Hall was said to have roof timbers painted with yellow ochre, and the floors were wood, usually oak (some painted to look like marble). The ceilings were flat, with moulded fretwork and lavish gilding, embellished with badges and heraldic devices (often Katherine’s pomegranates and Henry’s roses). The furniture was probably typical of the era, carved dark wood chairs (often an X-frame design) and tables, benches and trunks. Wool or velvet rugs were on the floors of the royal apartments only, but they could also be found on tables, cupboards, and walls. Elaborate tiered buffets showed off gold and silver plate, and treasures like an gold salt cellar engraved with the initials “K and H” and enameled with red roses.
It was a royal residence through the reign of Charles I (1625-49), but under the Commonwealth the state apartments were made into stables, and the palace decayed. In 1662, Charles II demolished most of the remains and built a new palace on the site (this later became the Royal Naval College), and landscaped Greenwich Park. The Tudor Great Hall survived until 1866, and the chapel (used for storage) until the late 19th century. Apart from the undercroft (built by James I in 1606) and one of Henry VIII’s reservoir buildings of 1515, nothing of the original survives.

Fontainebleau, on the other hand, can be seen in much the state Francois I left it in. On February 24, 1525 there was the battle of Pavia, the worst French defeat since Agincourt. Many nobles were dead, and king was the prisoner of the Holy Roman Emperor in Madrid. He was released in May, but only at the price of exchanging his sons (Dauphin Francois and Henri, duc d’Orleans) for his own freedom. In May 1526, Francois created the League of Cognac with Venice, Florence, the Papacy, the Sforzas of Milan, and Henry VIII to “ensure the security of Christendom and the establishment of a true and lasting peace.” (Ha!!) This led to the visit of the delegation in 1527, seeking a treaty of alliance with England and the betrothal of Princess Mary and the duc d’Orleans.
After his return from Madrid, Francois was not idle. Aside from plotting alliances, he started decorating. Having finished Chambord, he turned to Fontainebleau, which he loved for its 17,000 hectares of fine hunting land. All that remained of the original 12th century castle was a single tower. Francois built new ballrooms, galleries, and a chapel, and called in Italian artists like Fiorentino, Primaticcio, and Vignola to decorate them in lavish style (some of their work can still be seen in the frescoes of the Gallery of Francois I and the bedchamber of the king’s mistress the duchesse d’Etampes). The marble halls were filled with artworks, gold and silver ornaments, and fine tapestries. Unlike Greenwich, this palace was high and light, filled with sunlight that sparkled on the giltwork.
I know it’s hard to comment on a research-type post, but I’m curious–after reading about both palaces, which would you prefer to live in? (I’m torn, but I lean toward Fontainebleau, just because I was so awestruck when I visited!). Where would you like to see a book set?
For more behind-the-scenes history tidbits, and info on the Kate Haywood Elizabethan Mysteries, please visit me at http://amandacarmack.com
In the latest Elizabethan mystery by the author of Murder at Whitehall, amateur sleuth Kate Haywood investigates deadly machinations unfolding behind the scenes in the magnificent French court.

1561. Queen Elizabeth’s throne is threatened as Mary Queen of Scots—pushed in every direction by opposing and powerful forces—declares herself the rightful Queen of England. To discover her rival’s next unpredictable move, Elizabeth dispatches a party of trustworthy intimates to Mary’s court at Fontainebleau. Chief among them is Kate Haywood, who finds that the glittering balls and genial banquets conceal a web of poisonous ambition that soon turns deadly. 

When a beautiful and disruptively flirtatious member of the visiting party is murdered, Kate suspects that the man who stands accused has been set up to discredit Elizabeth. She vows to find the real killer, but the French court is a labyrinth unlike any she has ever navigated before—and at every turn there are more traps set to spring.



Amanda Carmack has been in love with the Tudors ever since an accidental viewing of "Anne of the Thousand Days" on TV as a kid!  Now she just wishes she could live with them all the time--but there has to be time for writing about them too. 

She also writes as Amanda McCabe and Laurel McKee, and her books have been nominated for many awards, including the RITA Award, the Romantic Times BOOKReviews Reviewers' Choice Award, the Booksellers Best, the National Readers Choice Award, and the Holt Medallion. She lives in Oklahoma with a menagerie of two cats, a Pug, and a very bossy miniature Poodle, along with far too many books.

When not writing or reading, she loves taking dance classes, yoga, collecting cheesy travel souvenirs, and watching the Food Network--even though she doesn't cook.




1 comments:

Linda Thorne said...

I steered away from anything historical up until a few years ago. I read a book my local SinC group proposed for a book discussion. It was historical fiction and I got hooked on it. Since then I've read other historical fiction books and I'm making up for not doing well in history in college. A mystery mixed with history is fun and you learn something about our past. This book looks great.